Bernina 430 Bedienungsanleitung Seite 3

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3
12/13/10
Decorative Stitching
Clear Embroidery Foot #39
Reverse Pattern Foot #1
Welcome to the second workbook in the My BERNINA series. The
information and stitching exercises in this book explore the use of
decorative stitches and embellishment techniques using BERNINA
sewing machines.
Every sewing machine begins with the straight stitch and continues with
practical and decorative stitches, the specific stitch package depending on
the model. Some models have hundreds and even thousands of stitches
that can be used to embellish almost any type of project—garments, pillows,
quilts, purses, baby clothes, and more. To get the best results when sewing
decorative stitches, there are several items that you need to address: the
type of thread you use, the presser foot you select, and how you prepare
your fabric for stitching.
The type of thread you use plays an important part in the look of your final
stitching. Workbook 1 (Basic Operation) offers information
on the fiber
content and properties of threads that are on the market today. There are
many from which to choose and if you try them all you’ll find a few favorites. Cotton embroidery thread,
especially in a heavier weight such as 30, gives a beautiful look to the stitches and has a nice luster to it.
If you want a high sheen, rayon or polyester embroidery thread are good choices. It often comes down to
a personal preference and what looks best on your project.
The presser foot you select is critical for good results because it can affect they way the fabric feeds under
the needle, influencing the stitch formation. Usually the key to selecting the correct presser foot is the sole.
If you are creating heavy, satin stitched patterns, you will need a foot that is not flat on the bottom. It should
have some type of indentation that allows the foot to ride over the completed stitch without dragging or
inhibiting the feed of the fabric. Stitches that are more open and have less thread will stitch well with an
all-purpose or zigzag presser foot. Reverse Pattern Foot #1/1C/1D has small indentations in front of and
behind the needle that allow the fabric
to move in a “back and forth” manner
when forming the stitches. Embroidery
Foot #6 has a wedge-shaped indentation
behind the needle, perfect for allowing
heavy compact stitches to flow freely
from under the back of the presser foot.
Open Embroidery Foot #20/20C/20D and
Clear Embroidery Foot #39/39C/39D both
have the same shape but offer more
visibility of the stitching area.
Preparing your fabric correctly can take the frustration out of your stitching, giving you a positive experience
with beautiful results. The fabric needs to be stable enough to support the stitching without tunneling or
puckering. This can be accomplished in several ways, sometimes with a combination of techniques.
The fabric itself might be heavy enough to support the stitching but in many cases extra stabilization will
be needed. Interfacing (fusible or sew-in) is applied to the wrong side of the fabric and left in the project.
Stabilizers are used as a temporary form of support. For the exercises in this class we will be using light-
weight tear away stabilizer that can be removed after stitching if desired.
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